Sarah Bernadette is a New Jersey-born singer-songwriter and graduate of Berklee College of Music ('18) with a degree in Songwriting and Voice Performance. At Berklee, she co-directed a student-run vocal jazz group, Point of Departure. Sarah Bernadette was a founding member of a new Boston-based vocal group, Green Line X-Tension. In 2019 she formed a new vocal jazz group, The New Standard, with fellow Point of Departure alumni. Their debut EP, "While We're Apart" came out in July of 2020.


Aside from vocal jazz, Sarah writes and performs her own music as a solo artist. Though she considers herself a pop artist, her music is infused with R&B-influenced grooves and some borrowed jazz harmony as well.


Sarah Bernadette's debut EP, "Sakura" is available on all music streaming platforms. "Sakura" features all original music with a mix of both live and electronic instruments. 

Q&A w/ Sarah Bernadette

Q: How early was music a significant part of your life and in what capacity?

          A: "Basically as early as I can remember there has been music in my life. My siblings both                  played instruments—they’re 9 and 11 year’s older than me—and that made me want to start                  too, so I started piano lessons at five and then violin at seven. My siblings both liked to sing                  and my mom used to sing to me a lot when I was very young before sleeping, and as early as                I can remember I’ve loved to sing too. My first album was Christina Aguilera’s debut album                    when I was four years old, which I still have memorized to this day. I joined my first choir                      when I was seven when I joined the NJ Youth Chorus, and I’ve basically always been in choir                or some kind of singing group since then." 

Q: Who was your first musical influence?

A: "Other than my siblings who inspired me to take piano and violin lessons, my                  first musical influence was probably Elvis Presley. I listened to his music with my dad              in the car all the time and I loved his music so much. As a writer, I think my first                    influence was Jason Mraz because that’s basically all i listened to when I was                      twelve, but Elvis held the key to my heart till I turned 10-11.

Honestly, he still kind of does."


Q: When did you realize this was something you wanted to become serious about?

A: "As a kid when people asked me what I wanted to do when I grew up, I always                    would answer with some type of performer, at least one of them being a singer. As I got              older and really started to have to think about my future, nothing really changed. I have              always wanted to be involved with music in my career, it was just a matter of figuring                  out if I thought I could be good enough (a lot of which is just perseverance and having                supportive family)."

Q: Has your approach to writing music changed from the time you started writing?

A: "I think as I’ve gotten older I’ve stopped trying to be too subtle with my writing. I                  used to worry about being cliché so much that I would get lost in a mess of figurative                  language, trying too hard to be unpredictable. I’ve learned to be okay with simplicity                  and to, above all, focus on honesty. I’ve also been trying to write from perspectives that              aren’t just mine, even writing from alternative versions of myself just to expand my                      imagination."

Q: Do you have any non-musical interests or experiences that have influenced your writing style?

A: "I've always loved the Spanish language, and have taken time to study it beyond                  my AP Spanish class in high school, including an intensive program on the language.                  Obviously this has musical connections because there are so many rich, beautiful Latin                American and Spanish musical traditions, but beyond that I think that just learning                      another language can make you more aware of your native language. Loving another                  language can enrich your appreciation and ability to create with your own. I’ve also                  written a few songs in Spanish, but more to come on that."

Q: What is the best compliment you can receive as a musician and songwriter?

A: "The best compliment I can receive as a musician and a writer is that my music or                          performance made someone cry, or moved them emotionally in some way. It’s not that I need                people bawling during my shows, but to me the main purpose of music is forming a                            connection with other people, and you connect with people through emotion. If someone gets                choked up or moved from my music—even just one person—I’m doing something right." 

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